Me, Myself and I: A Tale of Three Authors

Once upon a time there was a woman. She was a wife. She was a mother of a large brood of loud, crazy kids. And she was a writer.

One day, the woman decided she wanted to find some kind of work she could do from home. She loved reading romance novels, and she’d always been a pretty decent writer–if you take into account the award she won back in 5th grade. So she got on her computer and started writing a book.

Bored yet? You are? Okay, I’ll fast forward.

Before I–I mean, she–knew it, she was writing three different kinds of books, tailored to three very different markets. And so, she adopted not one, not two, but three distinct identities under which she published her books. There was Sydney, who wrote heart warming, funny, quirky romance novels; Tami, who wrote urban fantasy novels; and Tawny, who wrote deviant smut.

Now, Sydney/Tami/Tawny faced the challenge of marketing her names. Should she keep them distinct, avoiding cross-promoting of any kind? Or should she let the world know she was writing under three different pseudonyms? She took a look at the advantages and disadvantages of each option.

Keeping them separate:

Advantages
*No worries about readers being confused by differences in book content and/or voice
*Allows the new identity to start with a “clean slate”, meaning she would be completely new, fresh and exciting to reviewers, readers and book sellers.
*Allows each identity to focus on networking that is more specifically related to her books.
*Some publishers and/or agents might put pressure on an author to keep each identity separate, and failing to do so could undermine their efforts to promote the author’s work to booksellers and distributors.

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*Managing three different websites, Twitter accounts, Facebook pages, blogs…ohmygod.
*The cost of building and maintaining those websites and blogs could be quite high.
*There is the lost opportunity of promoting books published by lesser known pseudonyms to the readers of the better known ones.
*The stress of playing three distinct roles in cyberspace is nothing to sneeze at.

Sydney/Tami/Tawny made a choice. In her case, the disadvantages of keeping them separate outweighed the advantages. Particularly, she was concerned about the time required to update blogs, facebook pages, Twitter accounts and websites. What advice would she give to writers considering taking a second or third penname? Let’s ask her…

1. Determine whether the new name is necessary. This is the biggie, IMO. The most important question to ask. If the author is writing erotica and YA, that’s a no-brainer. But sometimes, it’s not that cut and dried. To decide if you need to adopt a new pseudonym, you need to have a fairly firm grip on your readers’ expectations. This is, in a nutshell, your “branding”. What are your best selling books? What genre are they? What subgenre are they? Is there any specific content that appears in the books, content a reader would miss if it wasn’t there? On the flip side of that question: is there content a reader would find disturbing/unexpected (in a bad way) if it appeared in your book? In my case, I write a lot of BDSM and menage. My erotica readers expect to find those elements in my books. So if I write a book without it, or totally without sex, I feel it’s better to publish it under a different name. I don’t want to confused my readers.

2. Determine whether you MUST keep the identities separate. Is your publisher or agent telling you to take a new penname for some specific reason? If the answer to that question is yes, you’re probably going to have to keep them separate.

3. Create one main website to promote all of your identities. If there is no concrete reason why you must keep your multiple identities separate, I would suggest marketing them together for the reasons stated above. After all, your primary job as a writer is to write books, not waste precious hours blogging/Tweeting/Facebooking under multiple names.

Within the world of romance publishing, you can find many examples of well-known authors who have adopted second and/or third pseudonyms. Nora Robers and Jayne Ann Krentz instantly come to mind. Clearly, if they decided it was necessary, helpful, it is an option worth considering in some cases. But understand the challenges. Building a readership from scratch, building a platform and attracting followers takes a ton of time and a financial commitment.

Best of luck!

Self (indie) and epubbed authors…

I found a fab blog post about promoting your books. Check it out: http://tinyurl.com/485tkpp. Excellent resource.

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Writing Contest Coming Soon!

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Unique Book Promotion Ideas

While reading one of my fave blogs, I stumbled upon a link to This Article on www.nypost.com. An author named Jennifer Belle hired 40 actresses to sit in public places (within NYC)  and laugh out loud while reading her book. It’s a very creative idea, and in at least one respect brilliant because it’s getting her some additional press.

One of the biggest challenges an author faces is getting word of her book out to the public. According to UNESCO, there were between 150,000 and 200,000 new titles published in 2005, in the US alone (I haven’t been able to locate more recent numbers). I’ve read the average fiction novel sells anywhere between 5,000 and 11,000 copies (this number, I’m guessing takes into account returns). With over 100,000 books published every year, it’s not newsworthy to have your novel published, at least according to television, radio and newspapers.

I believe, as book publishers struggle to find their footing in this volatile market, promotion budgets will be slashed and authors will be forced to take on the burden of marketing his/her books.  In most cases, this has already happened. More and more, authors are going to have to come up with unique and fresh ideas to promote their work. It’s not enough to write a great book anymore. And then another. And another. Those great books could very well end up being recycled to print another author’s great book.
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So how does Jane Author get the media’s attention so her book, one of 150,000 or more, finds its way into the hands of readers instead of the bottom of a recycling bin? I don’t have the answer. Quite the opposite, as an author who is anxiously anticipating her upcoming release, I would love to come up with something mad/brilliant/newsworthy to promote my books. Perhaps looking outside the publishing industry would be wise? Can you think of a product that was promoted in an unusual/unique/interesting way? I’d love to hear about it.

Writing Conference: NJRW Put Your Heart in a Book

Join us at the 2010 NJRW Put Your Heart In A Book Conference!

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Boost your Creativity and your Career!
October 22-23, 2010
Renaissance Woodbridge Hotel, Iselin, NJ
Registration begins June 15th!
Sharon Sala: Keynote Speaker
Robyn Carr: Luncheon Speaker
Leanne Banks: Special Presentation (* For first 100 registrants)
Bob Mayer: Pre-Conference Workshop Speaker

We’ve got 48 workshops being offered:

Rochelle Alers – Will the Real Romance Novel Stand Up!
Jessica Andersen – World Building Isn’t Just for Paranormals
Leanne Banks – TBD
Heidi Betts – Fear of Failure/Success
Annette Blair – Story Mapping
Christine Bush – First Timer’s Meeting
Robyn Carr – Working with an Ensemble Cast of Characters
Tori Carrington – The Road Well-Traveled
Deborah Cooke – Holy Grail of Voice
Claudia Dain – Publishing as a Bloodsport
Lisa Dale – Positive Thinking
MaryJanice Davidson – The Day I Died…
Dee Davis – Structure/Function of Dialogue
Robyn DeHart/Emily McKay – Whoa, Whoa, Whoa…Feelings
HelenKay Dimon – Beginnings that Lure the Reader
Meredith Duran – The Backstory Made Me Do It: Creating Characters Who Produce the Plot for You
Elaine P. English – Hot Legal Issues in Publishing
Judi Fennell – To Contest or Not to Contest
Tina Gabrielle/Phyllis Nugent – Using Unbelievable Conflict to Write a Great Book
Katherine Garbera – Writing a Selling Desire
Michelle Grajkowski/Winnie Griggs – Honing Your Pitch
Candice Hern – The Power of POV: Using It to Bring Characters to Life
Hannah Howell – How to Draw the Reader into Your Story and Keep Her There
Madeline Hunter- TBD
Virginia Kantra – Evoking Emotions
April Kihlstrom – Book in a Week
Cindy Kirk – The Selling Synopsis
Corinna Lavitt – Online Communities
Lora Leigh – Erotic Writing in the Raw
LeeAnn Lessard – How to Do Your Own PR…or Not
Faygie Levy/Elissa Petruzzi – Tips on How to Approach the Media Outlets for Coverage
Julie Anne Long – Why Publishing is Making You Crazy and What You Can Do About It: the Tao of Publishing
Julianne MacLean – The Power of the Rewrite
Bob Mayer – E-Pub and Everything Else
Keri Mikulski – Wanna Write YA?
Peter Miller – The Metamorphosis from Best-Selling Novel to Hollywood
Molly O’Keefe – Getting Past the Hook
Pam Rosenthal – Erotic Writing: Improving It Technically
Sharon Sala – Ten Things I Wish I’d Known
Kathryn Smith – The Three-Act Structure: How to Plot Any Book
Annie Solomon – Plotting Romance Suspense
Anne Stuart – Publishing is a Snake
Sherry Thomas – Chemistry: How to Create the Sizzle that Will Keep Your Readers Glued to the Page
Lisa Verge Higgins – Get Your Foot in the Door: Writing a Killer Query Letter
Joss Ware – Creating Worlds that Don’t Exist
Sarah White/Lisa Ruff – Deeply Flawed Heroes: How to Take Them to Bed
Diane Whiteside – Action Love Scenes
The Grammar Divas – Fat-Free Writing, or How to Eliminate Wordiness in Ten Easy Steps.

Sign up for appointments with one of these agents or editors:

Agents

  • Adrienne Rosado — PMA Literary & Film Management, Inc.
  • Anne Hawkins — John Hawkins & Associates
  • Liza Dawson — Liza Dawson Associates
  • Elaine P. English — Elaine P. English Literary Agency
  • Chelsea Gilmore — the Maria Carvainis Agency
  • Miriam Goderich — Dystel and Goderich Literary Management
  • Michelle Grajkowski — 3 Seas Literary Agency
  • Susannah Taylor — the Richard Henshaw Group
  • Suzie Townsend — FinePrint Literary Agency

Editors

  • Jennifer Graham — Avalon
  • Lia Brown — Avalon
  • Amanda Bergeron — Avon/Harper Collins
  • Alex Logan — Grand Central Publishing
  • Patience Smith — Harlequin/Silhouette
  • Shana Smith — Harlequin/Silhouette
  • Shannon Criss — Kimani/Harlequin
  • Evette Porter — Kimani, Kimani Tru/Harlequin
  • Shawna Rice — Harlequin/Silhouette
  • Susan Litman — Harlequin/Silhouette
  • Jhanteigh Kupihea — NAL

We will be adding to this list, so check www.njromancewriters.org frequently to get the most up to date news on the conference.

Registration opens June 15th

NJRW Member: $185.00

Non-NJRW Member: $205.00

Pre-conference Workshop
Warrior Writer Workshop: Teaching Writers How to Become Successful Authors in the New Age of Publishing, with Bob Mayer (Friday, Oct. 22, from 8 a.m. to Noon) – $30.00

If you have questions, please contact: Miriam Allenson, Conference Chair, at msallenson@hotmail.com, or Assistant Chair, Marlo Berliner, mberliner@rcn.com

Put Your Heart in a Book Conference
2010 Literacy Book Fair and Author Signing

New Jersey Romance Writers is happy to once again be hosting a Literacy Book Fair and Author Signing at the conclusion of our Put Your Heart in a Book Conference. Open to the public, the Book Fair will take place on Saturday, Oct. 23, from 4:00 p.m. to 5:30 p.m. A portion of all proceeds from the Book Fair will be donated to Literacy Volunteers of America, New Jersey.

In addition to conference speakers, published authors who attend the conference are eligible to participate. We typically have 50-70 authors signing during this event.

If you are a published author who is speaking at or attending the NJRW Conference and are interested in participating, and need more information, contact 2010 NJRW Book Fair Chair Isabel Roman (Isabel@isabelroman.com).

Writing Contests: The Golden Claddagh (romance fiction)

Forwarded with permission:

Enter Celtic Hearts Romance Writers Chapter contest The Golden Claddagh! Don’t let our chapter name dissuade you, your entry does not have to be Celtic based to enter, unless you enter our Celtic Category. We have six categories, Historical, FF & P, Romantic Suspense, Celtic, Contemporary & Erotic Romance.

Final Round Judges
FF&P: Leis Pederson – Berkley/Jove
Contemporary: Lois Winston – Ashley Grayson Literary Agency
Romantic Suspense: Laura Bradford – Bradford Literary Agency
Historical: Barbara Poelle – Irene Goodman Agency
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Erotic: Kate Seaver – Berkley

Our contest due date has been extended to June 1, 2010. Finalists will be notified by July 1, 2010 and winners notified by September 1, 2010.

Visit: www.celtichearts.org to register!
Or Email our Chair, Eliza Knight for information: writer@elizaknight. com

The Cheapskate’s Guide to Promoting Ebooks

Recently, a newly published author posted a question about  promoting her ebook on one of my fave writing forums, Romance Divas. I could tell from her post that she was completely overwhelmed and intimidated by the prospect of promoting her upcoming release. Making matters worse, her publisher asked her to submit a promotion/marketing plan to them.

First, a couple of definitions. (from www.managementhelp.org) Sometimes authors use the terms promotion and marketing interchangeably, but they aren’t the same thing.

Promotion: Promotion keeps the product in the minds of the customer and helps stimulate demand for the product. Promotion involves ongoing advertising and publicity (mention in the press). The ongoing activities of advertising, sales and public relations are often considered aspects of promotions.

Marketing: Marketing is the wide range of activities involved in making sure that you’re continuing to meet the needs of your customers and getting value in return…Marketing activities include “inbound marketing,” such as market research to find out, for example, what groups of potential customers exist, what their needs are, which of those needs you can meet, how you should meet them, etc. Inbound marketing also includes analyzing the competition, positioning your new product or service (finding your market niche), and pricing your products and services. “Outbound marketing” includes promoting a product through continued advertising, promotions, public relations and sales.

Now that we’ve defined those two relevant terms, let’s dig in. Please understand, I am basing my suggestions upon my personal experience only. I have no concrete data to prove whether any or all of these suggestions impact sales whatsoever.

First, let’s tackle marketing–which would include author branding, book content, cover design, blurb, and publisher. Writing a great book is a good start. Writing the right book for the current market is even better. And placing that right book at the right publisher is even more important. Not all epubs are created equal. Some have large readerships, high traffic, and have the potential to sell more ebooks for you than others. But those publishers also have a great many authors and an author needs to stand out from the crowd, especially if s/he’s new/unknown. Also, some publishers produce better sales in very specific subgenres, such as GLBT, but not others.  Outside of the cover, blurb and excerpt, what can an author do to make readers click her Buy link when they have so many choices?

This leads us to the topic of promotion. I think it’s important to balance savvy ebook marketing with at least some book promotion. I’d never recommend an author waste hours a day promoting her book, clog the Yahoo groups with drive-bye promo posts, or spend tons of money on ads that won’t yield results, but I would recommend s/he do some simple things to help gain exposure in what’s already becoming a glutted market.

What doesn’t work:

First, chats do nothing to help an author promote an ebook. Generally speaking, they are attended by readers who are looking for a free ebook and other authors who are also there to promote their books.

Second, I’ve concluded contests offering a free download do nothing either. Oftentimes, they are entered by the same readers, over and over–the same readers who enter the many other contests hosted by authors. Many times the winner doesn’t even claim the prize.

What may help:

If you can snag a “guest blogger” slot for free on a blog that has a built in readership, that can help you gain some exposure.

If your publisher has a Yahoo group or forum where readers hang out, then taking the time to put in a presence there can yield results.

Hosting a writing contest, in which the final prize is a critique from an editor well known in the marketplace (or an agent), can drive traffic to your blog/site and help you gain exposure. Structuring the contest to encourage visitors to return weekly is best.

Here’s the reality: 99% of the people who will buy your book are going to go on your publisher’s site (or Fictionwise, or Amazon, or whatever), check out the latest releases, read the blurb, and click “Buy” because they like what they see. They will have had no exposure to you outside of that. Regardless of this fact, newly published authors need to do some work to promote their book. I’d suggest they stick with things that are very low cost, and be smart about how they spend their time.

1. Post an announcement on a forum you frequent (like Romance Divas) and ask other members to blog the release for you. Then return the favor for them.

2. Set up a WordPress.org blog (not the free WordPress.com one), pay for domain registration and hosting (under $50  for the year) and use the free “Related Posts/Related Sites” plugin to get instant exposure. Get in the habit of blogging every day.

3. Set up profiles at all the social networking sites: facebook, myspace, twitter, etc. and use Ping.fm to post to them all from one screen  daily.

4. Join a blogging group, if you can find one that has an open slot.

5. Create a simple banner about your book and put it in your signature  on any forums you are active on.

6. Write an article about writing and post it on Gather.com, with a link to your site/blog/book.

7. Sign up for a year membership on The Romance Studio (it’s very inexpensive) and post your book’s release on their New Releases, News, and/or front page.

So there you go, the Cheapskate’s Guide to Promoting Ebooks. Do you have any other suggestions? Questions? Comments? Post them in the comments.

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About Rejection

The day I received The Call about the sale of Blood of Eden, I opened a SASE and read a generic Dear Author rejection. The timing couldn’t have been better. I got a good laugh out of it. Is this the first time it’s happened to me? Nope. Will it be the last? Probably not. And I know I”m in good company.

Recently, The Examiner listed 30 famous authors who were repeatedly, and sometimes rudely, rejected before they became a household name. Care to hazard a guess at a few of them? If you’ve read Stephen King’s On Writing, you know he’s one of them. Would you have guessed Anne Frank and JK Rowling? William Faulkner received this rejection from a publisher, for his book Sanctuary,

Good God, I can’t publish this!

And Judy Blume?! I just loveloveloved her books as a kid.

What can a writer take from this? First, the assurance that some very talented writers received rejections. Rejections don’t mean your writing is good enough, marketable enough, or ground-breaking. It simply means the editor didn’t see its potential. And second, it teaches us that, as Judy Blume said,
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Determination and hard work are as important as talent.

Amen to that!

Now, go be inspired. Read the full list at The Examiner.

News Release: Barnes and Noble announces PubIt! self-publishing platform

NEW YORK, May 19, 2010 (BUSINESS WIRE) — Barnes & Noble, Inc. /quotes/comstock/13*!bks/quotes/nls/bks (BKS 19.77, +0.27, +1.38%) , the world’s largest bookseller, is extending its deep and longstanding tradition of supporting authors and publishers with PubIt! by Barnes & Noble, an easy and lucrative way for independent publishers and self-publishing writers to distribute their works digitally through Barnes & Noble.com and the Barnes & Noble eBookstore. The easy-to-use publishing and distribution platform offers qualified independent publishers and authors of self-published works expanded distribution, visibility and protection that only Barnes & Noble can offer.

The announcement marks Barnes & Noble’s latest move to continue to build one of the world’s largest digital catalogs, spanning eBooks, journals, periodicals and other types of reading material. PubIt! titles will be distributed through BN.COM and Barnes & Noble’s eBookstore, which currently offers more than one million digital titles to millions of dedicated customers in-store and online.

Independent publishers and writers will appreciate PubIt!’s simple and competitive royalty model and compensation process, the details of which will be available in the coming weeks. Content owners’ intellectual property will be well-protected with Barnes & Noble’s best-in-class digital rights management technology and offered in the industry standard ePub format that allows publishers’ works to be enjoyed by millions of Barnes & Noble customers on hundreds of the most popular computing, mobile and eBook reading devices.

“As a company that has achieved much of its success by building mutually beneficial relationships with publishers and authors, Barnes & Noble’s new PubIt! service represents an exciting evolution and significant opportunity in the digital content arena,” said Theresa Horner, director, Digital Products, Barnes & Noble. “Barnes & Noble is uniquely positioned to support writers and publishers and bring their exciting digital works to the broadest audience of readers anywhere.”

Whether online or on-the-go, Barnes & Noble customers will have access to PubIt! titles with the opportunity to browse, sample, buy and download the digital content in seconds to their devices with free BN reader software. Using Barnes & Noble’s breakthrough Read In Store(TM) technology, NOOK(TM) customers can also browse the complete contents of PubIt! titles while in Barnes & Noble stores.

PubIt! is a convenient one-stop-shop, allowing publishers to get their content in front of consumers for purchase and reading on the most widely adopted mobile devices and software platforms. By following simple steps to upload their content in an industry standard format for electronic titles, content creators can reach consumers on hundreds of devices including: NOOK by Barnes & Noble, PC, Mac(R), iPad(TM), iPhone(R), BlackBerry(R) and others. For more information on free BN eReader software and apps, please visit www.bn.com/ebooks/download-reader.asp.

More information on PubIt!, which will be available this summer, and the benefits of joining Barnes & Noble’s expansive and trusted digital content catalog can be found at www.bn.com/pubit.

About NOOK(TM), by Barnes & Noble

NOOK marries innovative technology and sleek minimalist design with access to the Barnes & Noble’s digital store of over one million eBooks, newspapers and magazines. NOOK’s color touch screen for navigation along with a best-in-class E Ink display offer an immersive, enjoyable eReading experience. It offers both 3G wireless and Wi-Fi access, is the first to offer digital lending for a wide selection of eBooks through its LendMe(TM) technology. In Barnes & Noble stores, NOOK customers can access free Wi-Fi connectivity, enjoy the beta Read In Store feature to browse many complete eBooks for free, and the More In Store program, which offers free, exclusive content and special promotions. NOOK is available for $259 in Barnes & Noble stores, www.nook.com and at Best Buy stores and www.bestbuy.com.

To learn more and experience NOOK, visit www.nook.com. Follow our eBooks and other updates on www.twitter.com/NOOKBN and www.facebook.com/NOOKBN for information on NOOK updates, new eBook releases, Free Friday eBooks and more. To learn more about the free Barnes & Noble eReader software and Barnes & Noble eBookstore apps, visit www.bn.com/ebooks.

ABOUT BARNES & NOBLE, INC.

Barnes & Noble, Inc. /quotes/comstock/13*!bks/quotes/nls/bks (BKS 19.77, +0.27, +1.38%) , the world’s largest bookseller and a Fortune 500 company, operates 723 bookstores in 50 states. Barnes & Noble College Booksellers, LLC, a wholly-owned subsidiary of Barnes & Noble, also operates 639 college bookstores serving nearly 4 million students and over 250,000 faculty members at colleges and universities across the United States. Barnes & Noble is the nation’s top bookseller brand for the seventh year in a row, as determined by a combination of the brand’s performance on familiarity, quality, and purchase intent; the top bookseller in quality for the second year in a row and the number two retailer in trust, according to the EquiTrend(R) Brand Study by Harris Interactive(R). Barnes & Noble conducts its online business through Barnes & Noble.com (www.bn.com), one of the Web’s largest e-commerce sites, which also features more than one million titles in its eBookstore (www.bn.com/ebooks). Barnes & Noble customers can buy and read eBooks on the widest range of platforms, including NOOK(TM) by Barnes & Noble, eBook Readers from partner companies, and hundreds of the most popular mobile and computing devices using free BN eReader software.

General information on Barnes & Noble, Inc. can be obtained via the Internet by visiting the company’s corporate website: www.barnesandnobleinc.com.

NOOK(TM) is a trademark of Barnes & Noble, Inc.

Social Media Links: Follow B&N on Twitter: www.bn.com/twitter Become a fan of our Facebook Page: http://www.facebook.com/barnesandnoble Subscribe to our channel: http://www.youtube.com/user/BNStudio

SOURCE: MarketWatch

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Looking into my crystal ball

What will the future of publishing look like? Some folks have theorized that the end of an era is upon us. There’s talk of publishing’s evolution, from a world dominated by a handful of large publishing houses to one in which smaller houses are able to compete. Much of the change is due to the Kindle and to the growing demand for ebooks.

Things were looking pretty darn good in my crystal ball. As an author, I saw opportunities opening to me, opportunities that I–as an epublished author–have been waiting, hoping for.

And then something happens, like JA Konrath signing with AmazonEncore, to make me second-guess my rosy vision for the future. Could Amazon become a powerful super-corporation, a monopoly, handling all aspects of book publishing, from concept to distribution? It seems it’s already on its way to doing just that. I’m sure this is why publishers fought so hard for control of product pricing. But they may be fighting a losing battle. As more authors go to Kindle and AmazonEncore, and the average ebook price drops, traditional publishers’ products will be priced out of the market. They’ll be forced to make painful decisions. And I’m not familiar enough with publishing to know what the potential fallout of those decisions might be, but I have a vague feeling it won’t be pretty.

I’m not going to pull a Chicken Little and start shrieking, “The sky is falling!” But I will say, it’s an interesting time to be part of the publishing world right now.Things are changing, and quickly.

So, what’s an author–who has absolutely no control over the changes taking place–supposed to do, as the world beneath her feet shifts and tips?

Stay informed. Listen closely. Make decisions carefully, based upon facts, not rumors.

A few publishing industry blogs to help you do just that:

PubRants

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